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This sentimental song is popular during the raksha-bandhan festival which falls in the month of "Savan" ( Shravana). ="Ab ke baras bhej bhaiya ko baabul" from Bandini (1963), by Shailendra=
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For the original context of the song, please see the discussion about the movie Kabuliwala. For overseas Indians, the song expresses their sentiments directly. This is considered to be a song of "desh-bhakti" (patriotism, see List of patriotic songs#India), the term vatan is taken to mean India. The language of this song has an Dari (Afghanistan) flavor, the words vatan, chaman, qurban, arzu, abru are of Persian origin. :I salute the breeze that has passed from your valleys, I will kiss anyone who will mention your name. :You are my cherished desire, your are my honor, you are my life. :O my beloved homeland, my distant paradise, I sacrifice my heart for you. The song expresses the yearning for the homeland by someone who has been away for a long time( ). "Ai mere pyaare vatan" from (1961), by Prem Dhawan
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The song hints at love and passion using the simplest words, without using any equivalents for the term "love". :I don't know what you said, and don't know what I heard, but it happened.:There was some stirring, I trembled, and many dreams arose. This classic song describes the onset of love ( ). "Jaane kyaa tuune kahii" from Pyaasa (1957), by Sahir Ludhianvi Roopnagar is fictional, but may represent a story-book town or one of several cities one ruled by a king, e.g. The dream thus wishes that the little girl will marry a king. Translation::Go to sleep, princess, go to sleep.:Go to sleep, my precious one.:Sleep and see sweet dreams, in the dream see your beloved:Fly to Roopnagar and be surrounded by the maidens:The king will garland you and kiss you on the forehead This lullaby is one of the most famous songs sung by Kundan Lal Saigal, the first of the great singers of Hindi films ( ).
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"So ja rajkumari " from Zindagi (1940), by Kedar Sharma Many of the expressions used cannot be translated into English exactly, some of the translations are chosen to be literal. The lines are selected from the songs to be representative of the theme. Segments of some representative songs are given here. The filmi songs are however written for common people and thus there are some common themes that are often encountered - songs for children, songs of betrayal and dejection, marriage songs, etc. This classification goes back to when the chief patrons of literature were kings and nobles. # Shringar - love, sensuality and eroticism In Sanskrit and Hindi literature, nine different types of Rasas are often enumerated.
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The lyrics are both modern and traditional.Ī rasa identifies the dominant emotion of a composition (a song or a text). Occasionally a few lines in another Indian language (for example in Jya Jale ), or even a foreign language are added for mystery ( ). Several dialects have been used: Braj, Bhojpuri, Punjabi, Rajasthani. It is not uncommon now to see usage of English words. Many songs are saturated with Persian terms, others can be in " shuddha Hindi". It is termed Hindi in India and Urdu in Pakistan. The language of the filmi songs can be complex. Yet, since Bollywood has not been considered formal literature, the lyrics of the Bollywood songs have not been studied in an academic setting. The lines of Bollywood songs are some of the most memorized and repeated expressions in India. Bollywood songs (often termed filmi songs) are heard far beyond the borders of India.